Cleridge:Themes of Ancient Mariner

Themes of the Ancient Mariner


Q 2  Discus the theme of sin and redemption in coleridgeis Ancient Mariner.

“ The Ancient Mariner  is a myth of guilt and redemption, but of course it is also much more.” (C.M. Bowra)  Substantiate.

Answer : Introduction :

            At the inner level,  the plot of  The Rime of The Ancient Mariner is so rich in themes that it represents a very complex vision of life.  Those themes bring the romantic tale of wonder and mystery closer to life and its fundamental issues.  The poem has been examined from two different visions -
i)          Religious, or rather, Sacramental Vision
ii)         Psychological Vision.

Sacramental Vision : Theme of Sin and Redemption

According to this vision, The Ancient Mariner is a story of sin, punishment, and reconciliation.  C.M. Bowra puts it as “ a myth of guilt and redemption”, and Graham Hough as “ an  allegory of guilt and regeneration.”  This theme is the outcome of the religious interpretation of the poem taken at its face value.  The Ancient Mariner and his shipmates are Christians - Roman Catholics.  Their belief in the supernatural is  in conformity with the Christian religion of they day.

The Sin -  The inner plot also supports this theme of sin, punishment and redemption.  The Ancient Mariner inhospitably kills the innocent Albatross.  It is significantly an utterly unjustified act.  With reference to God’s creation, it is a sin, according to Christian religion.  The sin is committed at the end of Part I.  The shipmates judge things according to the principle of utility.  So first they blame the Ancient  Mariner for killing the bird of good fortune.  But later they justify his act of killing the bird when the whether turns out to be fair and good.  Thus they become accomplices in the sin, in Part - II of the poem.

The Punishment
a)         Physical Pain - The killing of the Albatross is, first of all, a murder in the physical world.  So the consequences of the murder first spring from the physical world, and fall upon the guilty.  The ship is brought to  the Pacific Ocean, near the Equator.  Then it is becalmed, suddenly.  The bloody   sun rains scorching  heat over the Mariner, his shipmates, and his ship. Their drinking water is spent up.  So  they have not a drop to drink.  Oppressed by Scorching heat and extreme thirst, they groan (cry) in agony (misery or pain). 

b)         Spiritual Consequences -  The Mariner also suffers from the spiritual consequences of his sin.  He is disgusted to see slimy things crawl with legs upon the slimy sea.  At night he notices death-fires dancing around his ship.  His shipmates have a dream in which they are told of the Polar Spirit that is avenging the killing of the Albatross upon all of them.  Next morning they pluck the cross off, and hang the dead Albatross about, his neck.  They also stare at him with cursing looks.  And he feels remorse for his sin for the first time.  This happens by the end of Part - II.

In Part III, therefore, he is condemned to the Punishment of life in Death.  It is a lesser punishment because of his feeling of remorse whereas his shipmates are condemned to death.  A phantom ship arrives in the evening.  Life-in-Death wins the Miariner while Death wins his shipmates.  So when the star dogged moon rises, his two hundred shipmates fall down dead one by one.  And the soul of each passes by him with the sound like that of his arrow that killed the Albatross.

Feeling of Utter Loneliness and that of Intense Remorse

In Part IV, the Ancient Mariner suffers from the feeling of utter loneliness and also that of remorse excited by the sight of the dead bodies  of his shipmates.  The remorse is also enhanced by the feeling of utter isolation.  It is a great penance he does unawares.

The Theme of Isolation

The Ancient Mariner’s loneliness is so pathetic that D.H. Harding is impressed to remark that the sense of isolation is the central theme of the poem.  He observes :

“ The human experience round  which Coleridge centers the poem is surely  the depression and the sense of isolation and unworthiness which the Mariner describes in Part IV.  He feels isolates to a degree that baffles expression and reduces him to the important, repetitive emphasis which becomes doggerel in schoolroom reading :-

Alone, alone, all, all alone
Alone on a wide wise sea.                                                (II 232-3)

At the same time he is not just physically isolated, but is socially abandoned, even by those with the greatest obligations :-

And never a sain took pity on
My soul in agony.                                                 (II. 234-25)

This, the central experience, comes almost at the middle of the poem.  It is the nadir of depression to which the earlier stanzas sink and  the rest of the poem describes what is in part recovery and in part aftermath.”

REDEMPTION THROUGH LOVE FOR LIFE IN NATURE

(a)  Favour of Angels - To return to the theme of sin and redemption, the Mariner’s intense remorse for having  killed the Albatross and a sense of utter loneliness lead him  to become reconciled with life in Nature.  So when he notices some pretty sea-snakes, he praises their beauty and blesses them unawares, because of  “ a spring of love” for life in Nature.  And as soon as he blesses them, the curse is partially expiated.  “ The self-same moment”, he is able to pray, and does pray to God.  And his prayer wins him the favour of Angels. (This happens at the end of Part IV.)  And the dead Albatross falls off his neck.

To sum up, the killing of the Albatross,  a “creature of Nature, alienates him from Nature and causes him utter isolation.  Then love for the sea-snakes, which is love for life in Nature, redeems his  soul from the sin.  It also enables him to pray and to win the favour of angels.  Yet he is still guilty of causing the death of two hundred  mariners  through the sin committed by him alone.  So he is still alienated from God.

Becomes Reconciled With God

The angels send him sleep and rain.  Then they enter the mariners’ dead bodies and reanimate them.  The Polar  Spirit  moves the ship in obedience to them as far as the Equator.  And  the angels work the ship.  But they stare at the Mariner with the same  cursing looks the mariners died with.  It fills him with  great remorse for their death.  The remorse is again a penance  which finally enables  him to become reconciled with God.  This happens in Part VI.  So the angels bring him back to his home port       (Part VII).

PSYCHOLOGICAL VISION :  The Theme of One Life

The psychological vision goes deeper than that of Christianity.  It looks upon the killing of the Albatross as a crime against one, universal, life.  According to this vision, there is only one life in man and Nature.  An the killing of the bird  is without any defensible provocation, motivation, or justification.  Once  the Mariner looks upon the becalming of the ship and the oppressive heat of the burning sun as the consequences of his brutal act, he gets a deep psychic wound.  His guilt complex gives rise to great emotional disturbances  in him.  He has halluncinations born of his superstitious belief in the supernatural.  Ultimately, the healing power of love for sea-snakes (i.e. Nature)  remedies his psychological diseases.  His prayer becomes another effective remedy.  That he is greatly impressed by the redeeming power of imaginative love is evident from his teaching to the wedding-guest, viz.,

TWO BASIC THEMES

There are two basic themes Coleridge;s Ancient Mariner is built upon.  The primary theme is “ The Theme of One Life”.  Viewed from sacramental vision ( i.e. Christian point-of-view), it appears as the theme of sin and redemption.  The secondary theme is “ The Theme of the Imagination”.  It is “concerned with the context of values in which the fable is presented “.  The two themes are finally fused in the poem.
Each of them is necessary for the existence of the other.

Conclusion :à

The view of the theme  of  sin and redemption, or of guilt and regeneration, is plausible indeed.  It is also broadly acceptable.  According to J. Colmer, the theme of sin and redemption does not explain the death of the ship’s crew.  The actual sinner remains alive and gets  redemption while those who justify his act thoughtlessly die.  Dissatisfied with this theme Graham Hough remarks : “ The poem is more than an allegory of guilt and regeneration.”  This critic is in favour of a psychological interpretation.  He writes : “ In ordinary sense the Mariner is very little guilty.  But he has broken the bond between himself  and  the life of Nature, and in consequences becomes spiritually dead.  What happens to him when he blesses the water-sankes in the Tropical calm is a psychic rebirth.  The whole poem is indeed a vivid presentation of the rebirth myth as it is conceived by Jung - the psychologist.”

Thus Graham Hough again turns us towards the theme of the one life and  of the redeeming power of imaginative love.  To be on the safe side, we can re-state Prof. Warren’s view that The Ancient Mariner’s story is built upon two basic themes - the Theme of One Life and the Theme of Imagination.  The poem has also been given symbolist interpretation, and the Theme of imagination admits of such interpretation too.   Evidently the two basic themes are acceptable.

Post a Comment

0 Comments